| 1. | Swirling grief - sentimentalism in bai xianyong ' s fictions
白先勇小说的感伤主义色彩 |
| 2. | Home consciousness in the novels by bai xianyong
论白先勇小说中的家园意识 |
| 3. | Artistic theory in bai xianyong ' s short novels
白先勇短篇小说艺术论 |
| 4. | Observing bai xianyong ' s novels by the poems of the middle and late tang dynasty
从中晚唐诗看白先勇小说 |
| 5. | In bai xianyong ' s view , historical vicissitudes and fatal variables constitute the main features of chinese literature
摘要在白先勇看来，历史沧桑感和命运无常感是中国文学的一大特色。 |
| 6. | Different from the “ bai mode ” where bai xianyong himself was involved in the adaptation and production of the opera , chen entrusted the work to suzhou kunju opera troupe and focused on the overall designing and international marketing
相对于“白氏模式” ， 《长生殿》的排演提供了另外一种类型，那就是不处在传统艺术中的人如何保护传统文化？ |
| 7. | The well - known chinese writer bai xianyong , who just received the first prize of beijing literature festival , has been busy promoting the chinese traditional opera kun qu , which has been appointed as " oral and non - material cultural heritage " by the unesco
刚刚捧得北京文学节大奖的著名华人作家白先勇，近年来一直忙于推广被联合国教科文组织定为“人类口述和非物质文化遗产”的昆曲。 |
| 8. | In the creation process , bai xianyong combines the traditional narrative skill with modem ones in order to form a kind of beauty of delicacy and plaint with strong chinese traditional characteristics , thus reflecting the important and special aesthetic value
在创作过程中，他将传统与现代的创作手法相融汇，形成一种具有浓郁中国传统特色的柔婉、哀怨之美，体现出重要而又独特的美学价值。 |
